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The News God > Blog > General > The Work Of Chaim Goldberg: Is His Influence Still Being Felt Today?
General

The Work Of Chaim Goldberg: Is His Influence Still Being Felt Today?

Rose Tillerson Bankson
Last updated: October 26, 2022 9:21 am
Rose Tillerson Bankson - Editor
October 26, 2022
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4 Min Read
There were a number of Jewish painters who made their name in the art world over the twentieth century. But, arguably, none were as prolific or more impactful than Chaim Goldberg. Born on March 20th, 1917, Goldberg was one of three million Jews who contributed to Poland’s arts and culture scene. He was discovered at just fourteen years old when Saul Silberstein - a postdoctoral student of Sigmund Freud - came to the Goldberg's house and discovered his drawings nailed to the walls. After this, he was given a private scholarship at the Mehoffer High School of Fine Arts in Cracow, and he proceeded to create 3,000 artworks which would become renowned not just in Poland but around the world. The Beauty Of Goldberg’s Work Some of Goldberg’s most notorious works include The Horam Dance, which is a depiction of seven faceless, paper-esque Jewish dancers with a commanding sense of movement and symmetry; Water Carrier, which is a symbolic depiction of a Jewish man buckling under the weight of water bails; and Trio, which depicts music, creativity and life. Part of the reason these are so loved is because of the context in which they were created. Chaim grew up during a time of unease amongst Jewish communities across the world. He fought during WWII and was imprisoned by the Germans, only to escape and travel to Kazimierz to persuade his family to find refuge. When the war was over, he was alive, but – due to their refusal to leave their home - his family had been killed at the hands of the Nazis. After this, Chaim went on to depict his experiences with the Jewish community through his art, painting child-like, nostalgia-driven accounts of his past but with a realistic, haunting subtext of suffering and turmoil. The Myth And Legend Of Goldberg A visit to any one of the number of Jewish galleries across the world will detail just how much influence his rivals gleaned from his work. Even at the time, renowned Jewish artists like Marc Chagall were creating similar scenes – often in a more biblical context – which celebrated Jewish community and detailed the torment they were being put through. Today, it is the magic of Goldberg’s work which really seems to influence artists. When Goldberg became ill with scarlet fever at a young age, a local rabbi advised his father to change his name to Chaim – which is Hebrew for “life”. Goldberg soon recovered and kept that name for the rest of his days, and this mysticism and expression of faith is something that is instilled into many of his pieces (as well as pieces of many Jewish artists today). A visit to the israeli centre of judaica, for instance, will reveal the work of Jewish artist Gitty Fuchs. Their piece, named ‘Hasidim Dance’, feels particularly inspired by Chaim’s piece ‘The Horam Dance’, capturing the ethereal mysticism of the Jewish community, the passion, the strength and – most importantly – the faith in each other and God. It is likely that there are many other artists carrying on the legend of Chaim Goldberg, so make sure to check into a Judaica gallery or purchase a few artworks online. If you do this, you will not only be supporting them but supporting the continuing legacy of Goldberg himself.
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There were a number of Jewish painters who made their name in the art world over the twentieth century. But, arguably, none were as prolific or more impactful than Chaim Goldberg. Born on March 20th, 1917, Goldberg was one of three million Jews who contributed to Poland’s arts and culture scene. He was discovered at just fourteen years old when Saul Silberstein – a postdoctoral student of Sigmund Freud – came to the Goldberg’s house and discovered his drawings nailed to the walls. After this, he was given a private scholarship at the Mehoffer High School of Fine Arts in Cracow, and he proceeded to create 3,000 artworks which would become renowned not just in Poland but around the world.

Contents
The Beauty Of Goldberg’s WorkThe Myth And Legend Of Goldberg

The Beauty Of Goldberg’s Work

Some of Goldberg’s most notorious works include The Horam Dance, which is a depiction of seven faceless, paper-esque Jewish dancers with a commanding sense of movement and symmetry; Water Carrier, which is a symbolic depiction of a Jewish man buckling under the weight of water bails; and Trio, which depicts music, creativity and life.

Part of the reason these are so loved is because of the context in which they were created. Chaim grew up during a time of unease amongst Jewish communities across the world. He fought during WWII and was imprisoned by the Germans, only to escape and travel to Kazimierz to persuade his family to find refuge. When the war was over, he was alive, but – due to their refusal to leave their home – his family had been killed at the hands of the Nazis. After this, Chaim went on to depict his experiences with the Jewish community through his art, painting child-like, nostalgia-driven accounts of his past but with a realistic, haunting subtext of suffering and turmoil.

The Myth And Legend Of Goldberg

A visit to any one of the number of Jewish galleries across the world will detail just how much influence his rivals gleaned from his work. Even at the time, renowned Jewish artists like Marc Chagall were creating similar scenes – often in a more biblical context – which celebrated Jewish community and detailed the torment they were being put through.

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Today, it is the magic of Goldberg’s work which really seems to influence artists. When Goldberg became ill with scarlet fever at a young age, a local rabbi advised his father to change his name to Chaim – which is Hebrew for “life”. Goldberg soon recovered and kept that name for the rest of his days, and this mysticism and expression of faith is something that is instilled into many of his pieces (as well as pieces of many Jewish artists today).  A visit to the israeli centre of judaica, for instance, will reveal the work of Jewish artist Gitty Fuchs. Their piece, named ‘Hasidim Dance’, feels particularly inspired by Chaim’s piece ‘The Horam Dance’, capturing the ethereal mysticism of the Jewish community, the passion, the strength and – most importantly – the faith in each other and God.

It is likely that there are many other artists carrying on the legend of Chaim Goldberg, so make sure to check into a Judaica gallery or purchase a few artworks online. If you do this, you will not only be supporting them but supporting the continuing legacy of Goldberg himself.

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Previous Article Born on 27th January 1824, Jozef Israels was a Dutch painter who was renowned for leading the landscape painter group named Hague School. Although his mother wanted him to become a rabbi, he fought through hardship to create a professional – and proficient – artistic career, which is still celebrated over one hundred years after his death. Despite neglecting his mother’s own aspirations for his future, he didn’t turn his back on the Jewish faith. In fact, his detailed and intricate work as a Jewish painter arguably did more to honour the religion and educate others on a more widespread scale than he would have achieved as a rabbi in the town of Groningen. “The Jewish Wedding”, for instance, is one of his most notorious works. This is mainly due to its simplicity and unique, subtle beauty, but also its ability to tell so much about orthodox wedding ceremonies through one scene alone. With this in mind, here is a close-up look at Israel’s Jewish Wedding and how it presents the traditional Jewish ceremony: The Chuppah One of the first things to notice about “The Jewish Wedding” is that the kallah (bride) and chatan (groom) are standing underneath what looks like a woven blanket. This is, in fact, known as a chuppah, which is a four-columned canopy used to cover the kallah and chatan to create a sanctified space. The couple in the painting are also depicted in bright sunlight, which not only symbolises happiness but reveals the Ashkenazi custom for chuppahs be placed under the open sky, symbolising the blessing that God gave their forefather, Abraham. Kiddushin It is also noticeable that the chatan is directing his focus down towards the kallah’s fingers, where he is likely carrying out the part of the ceremony known as kiddushin. This is where the bridge accepts a symbolic payment – or a signed contract known as ketubah – from the chatan. Although this has traditionally changed in variations over the years, this payment most typically (especially from the nineteenth century onwards) comes in the form of a ring, which is placed upon the kallah’s finger whilst prayers are said over a glass of wine. As for the ring itself, the type of metal is not revealed in the painting, leaving it up to the viewer’s interpretation. There are many different types of Jewish wedding rings with a traditionally popular choice in Judaism that can be found on nadavart.com, and is a Hebrew ring which spells out “yevarechecha hashem” – meaning “may God bless you and safeguard you”. Darkness Informs Ketubah Towards the end of the ceremony, the reading of the ketubah is carried out, and the chatan breaks a glass under his foot. This is the part of the painting which effectively shows the meaning of Jewish weddings to the reader without telling them. The breaking of the glass symbolises the destruction of the Second Temple, which reminds the couple and the assembled party that they must be mindful of unhappiness and struggle even at times of celebration. In the painting, it is likely an informed decision by Israels to frame the ceremony in almost bleak darkness. In amongst this darkness, the faces on the group are happy and content, with the chuppah itself painted in a stark white, almost more vivid than the dress of the kallah herself. In this way, the painting symbolises the darkness in the world but also the ability of the Jewish people to find community and love with one another, shielded underneath the chuppah itself as a divine symbol of God’s protection. The Jewish Wedding: What Does Jozef Israels’ Work Reveal About Jewish Orthodox Ceremonies?
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